

Diplomado en música para cine y proyecto multimediales 2024 - 1
Laboratorio de Producción Fonográfica y Audiovisual MUSILAB UIS
Universidad Industrial de Santander


Inscripciones abiertas hasta el
4 de Marzo.
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General Information
Start and end date: September 5 - December 12, 2009
Duration: 4 months (96 certified hours)
Schedule: Tuesdays and Thursdays from 6:00 p.m. - 8:00 p.m.
And one Saturday every 15 days.
Place: MUSILAB UIS Phonographic and Audiovisual Production Laboratory.
Third floor of Daniel Casas Building - School of Music.
Industrial University of Santander (Bucaramanga, Colombia).
Modality: Hybrid (Classroom and Virtual)
Modules: 8
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Themes:
Cinema narrative (Juan Fernando Arango-Composer and film music producer).
Audio production techniques (Juan Fernando Arango-Composer and producer of music for film).
Music creation workshop (Guido Arcella-Musician composer, director of Arcella Sound, music producer for videogames).
Screenwriting Workshop (Raúl Gutiérrez-director, producer and screenwriter).
Music appreciation in film (Erica Acuña-director of Musikamia, music and film).
Audio post-production (Juan José Virviescas - Sound Engineer).
Final product consulting (Jhon Eduard Ciro-Percussionist and composer/Juan Fernando Arango-Composer and film music producer).
Sign up at the following link and we will send you the receipt and the payment route to your email:

Diploma in Music for Film and Videogames
MUSICLAB UIS Phonographic and Audiovisual Production Laboratory MUSICAL UIS Industrial University of Santander


Registration is open until September 1st.


General Information
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Start and end date: September 5 - December 12, 2009
Duration: 4 months (96 certified hours)
Schedule: Tuesdays and Thursdays from 6:00 p.m. - 8:00 p.m.
And one Saturday every 15 days.
Place: MUSILAB UIS Phonographic and Audiovisual Production Laboratory.
Third floor of Daniel Casas Building - School of Music.
Industrial University of Santander (Bucaramanga, Colombia).
Modality: Hybrid (Classroom and Virtual)
Modules: 8
Themes:
Cinema narrative (Juan Fernando Arango-Composer and film music producer).
Audio production techniques (Juan Fernando Arango-Composer and producer of music for film).
Music creation workshop (Guido Arcella-Musician composer, director of Arcella Sound, music producer for videogames).
Screenwriting Workshop (Raúl Gutiérrez-director, producer and screenwriter).
Music appreciation in film (Erica Acuña-director of Musikamia, music and film).
Audio post-production (Juan José Virviescas - Sound Engineer).
Final product consulting (Jhon Eduard Ciro-Percussionist and composer/Juan Fernando Arango-Composer and film music producer).
Sign up at the following link and we will send you the receipt and the payment route to your email:
Teaching Staff

Juan Fernando Arango
Music producer, teacher and sound engineer with 25 years of experience and permanent participation in the audiovisual processes of the region, where he has collaborated with the regional channel of the east, TRO, as well as in short films and documentaries, composing original music, and making sound post production. He participated in the feature films Rios de ceniza and Pablus Gallinazo, official selection of the Cartagena International Film Festival 2022, both by director Alberto Gomez. He has participated as a teacher in 3 sound courses offered by the Universidad Autónoma de Bucaramanga UNAB.

Jhon Ciro
Junto a Evelyn Glennie y Martin Grubinger, fue invitado a participar del III Festival Internacional de Música de Medellín “Grandes percusionistas del mundo” en el año 2009. Magíster en Música de la Universidad EAFIT y Maestro en Percusión de la Universidad de Antioquia. Actualmente, se desempeña como profesor en el área de percusión en la Escuela de Música de la Universidad Industrial de Santander. Es fundador y presidente de Percussive Arts Society Colombia Chapter y artista Adams e Innovative.
Ha actuado como solista con la Orquesta Sinfónica de la Provincia de Río Negro Argentina, Orquesta de Arcos de la Universidad Autónoma de Bucaramanga, Orquesta Sinfónica de Ibagué, Banda Sinfónica del Quindío, Banda Sinfónica Universidad de Antioquia, Ensamble de Percusión Universidad de Antioquia, Ensamble de Percusión El Toque, Ensamble de Percusión SAETA y Ensamble de Percusión Percanto de la Universidad EAFIT, entre otros.
Ha realizado 75 estrenos dentro y fuera del país de sus obras compuestas para: instrumentos solista y acompañante. Su más reciente obra fue estrenada en el marco del Percussive Arts Society convention, con la obra titulada “Caos-Abril 2021” estrenada por el ensamble de percusión de la University of North Carolina Greensboro (UNCG) y dirigida por el maestro Eric Willie

Guido Arcella
Guido es alumno de Berklee College of Music y un galardonado compositor de películas y juegos. Sus victorias incluyen 2 Intel Game Awards en la Game Developers Conference por sus trabajos musicales para videojuegos, primeros premios a la mejor música de cine en el Festival de Cine Independiente de California (San Francisco, CA) y en el Festival Internacional de Cine Indie Gathering (Cleveland, OH), así como un Premio Telly a la mejor Música Comercial. Como músico, productor y arreglista, Guido forma parte de importantes proyectos hasta la fecha.

ERICA ACUÑA R.
Psychologist with specialization in Constructivism and Education.
Cultural promoter and creator of www.musikamia.com page dedicated to the diffusion of film music where she has interviewed composers such as Mica Levi, Tomás Barreiro, Nascuy Linares, Daniel Velasco, Lorne Balfe, Randy Kerber, Selma Mutal, Felipe Linares, David Campbell, Mark Kilian, Federico Jusid,
Arturo Cardelús, Roque Baños, Zacarías M de la Riva, among others.
Coordinator of SONORIDADES, academic component on music and film sound of Cinemacia Metropolitan Film Festival.
She has given several talks, workshops and lectures on the history and evolution of film music in various places such as: Santander International Film Festival (FICS): Film music, a component that is not left to
random (2017), Historia de la música para cine, ¿Cómo ha sido su desarrollo en Colombia (2018), El Festival Internacional de Cine de Pasto (FICPA), La música cinematográfica en Colombia (2019), at El Colombo de Medellín Desarrollo del Jazz en el cine (2020) and in alternative spaces such as Club El Nogal and La pradera de Potosí among others.
Vice President of the Círculo Bogotano de Críticos de Cine - CBCine and co-director of its publication the film criticism magazine Cero en Conducta where she has also published articles on film music (February 2018-Currently).

Juan José Virviescas
He has more than 28 years of experience in sound engineering in the areas of: audio and video recording and production, mixing, digital editing, mastering, design and installation of recording studios and sound conditioning for auditoriums; activities that have allowed him to have an excellent experience in audiovisual productions for film, television and the record market, he has worked with great music professionals and has acquired a vast experience of teamwork in the entertainment industry. In important productions he has had the privilege of being responsible for the entire audio area, allowing him to learn how to deal with an infinite number of situations, from complex technical and human conditions, to the most adapted environments to carry out with efficiency and excellence all the processes that a professional audiovisual production requires. Of the musical projects in which he has participated, 14 of them have been nominated for Latin Grammy Awards, 4 of which were winners, and 5 have been nominated for Grammy Awards, 1 of which was the winner.

Raúl Gutiérrez
Director, Producer and Screenwriter graduated from UNAB, with a Master's Degree in Film Studies from La Sorbonne University in Paris. He has directed fiction projects that address social and political issues in Colombia, including several short films selected in different film festivals, and five miniseries for public television, including LA CUMBRE, SIN LA LUZ PERPETUA and INMIGRANTES, the latter nominated for best fiction series at the TAL Awards (Uruguay) and the India Catalina Awards 2020. His short film "Mi Primer Amor" was financed by Spanish actor Antonio Banderas and premiered at the Soumaya Museum in Mexico City. In 2020 he founded his production company Pruebe Finura Films with which he is currently working on the financing of his debut feature SOLEDAD.

Alejandra Centeno Ayala
Director, Producer and Screenwriter graduated from UNAB, with a Master's Degree in Film Studies from La Sorbonne University in Paris. He has directed fiction projects that address social and political issues in Colombia, including several short films selected in different film festivals, and five miniseries for public television, including LA CUMBRE, SIN LA LUZ PERPETUA and INMIGRANTES, the latter nominated for best fiction series at the TAL Awards (Uruguay) and the India Catalina Awards 2020. His short film "Mi Primer Amor" was financed by Spanish actor Antonio Banderas and premiered at the Soumaya Museum in Mexico City. In 2020 he founded his production company Pruebe Finura Films with which he is currently working on the financing of his debut feature SOLEDAD.

Artista, músico, compositor y bajista de Bucaramanga, Santander. Egresado como músico con profundización en composición y arreglos de la Universidad Autónoma de Bucaramanga; Maestro en composición de música para cine, televisión y videojuegos de la Universidad de Chíchester (Reino Unido) y Maestro en composición de la Universidad de las Artes de Islandia. En el año 2020 le fue otorgado el segundo lugar en el “Segundo concurso de composición para cuarteto de cuerda FESTICUARTETOS”, organizado por el Cuarteto Q-Arte, por su obra “Reflexiones”, una serie de nueve miniaturas que describen ideas propias sobre el conflicto armado colombiano, qué lo causó, los pasos para solucionarlo y una crítica a la cultura del país. Desde 2021 ha trabajado de la mano con el “Santander festival internacional de cine independiente” (SANFICI) en los cortometrajes producidos por el festival y filmados por niños y niñas de Bucaramanga. Estos cortos han sido proyectados en diversos escenarios de la ciudad y participado en festivales de talla internacional como el “Construir Cine” en Argentina. El foco de su quehacer artístico está en la exploración del sonido dentro de la obra y las diferentes posibilidades cualitativas que este tiene. Se interesa, también por los diferentes roles que puede adquirir el sonido, por ejemplo, como herramienta de expresión y como base para conformar un relato.
Santiago Rueda García
We are waiting for you!
Do you have any questions?
Write to us at: atempo@uis.edu.co